|
The blame was passed on to Amazon.com who put up the picture as it appeared. When I received the item, it was supplied without the shotgun microphone. I bought this item for $3115 based on the picture as it is on this review page. You are therefore misleading prospective buyers by putting up wrong pictures on your website. When I called the seller, I was informed that the item is sold without the shotgun microphone. I insisted that it was a wrong item advertised. Otherwise I was not going to buy the item at the price I paid if it wasn't the way it was. I am disappointed.Sam Okwoyo
I've used my Sony HVR-Z1U HDV camcorder in some very extreme conditions, and it it comes through on a regular basis. Sony can improve this unit by adding SDI to output to HDCAM. The screen went black.
At that time, I had purchased and was using a rain coat for the camera. And, it keeps on going.The unit prefers mid-range lighting. I shot Hurricane Katrina video footage during the storm (for StormStock) in driving 100 mph rain.
I dried it off with a hand dryer and it came back to life to be called back into action with Katrina.My HVR-Z1U has shot hurricane video, tornadoes, lightning, and other storm footage, often in the rain and dust. It never failed. Previously, in Hurricane Dennis, the unit failed in the rain, without the coat.
It can shoot good footage if you give it that. I'd also like to see true 24P added and maybe variable frame rates.This camera is just a couple options away from being a professional system.Martin LisiusPrairie Pictures, Inc.
I highly recommend this to independent filmmakers if you're able to rent them in your area. I've chosen this camera for my short film after viewing some rough footage at a local studio. It does not offer the 'truest' cinematic feel but if you do some research on the web you'll find resources for things you can do in pre & post production to get the feel you're looking for regardless of the camera you use. The colors that this camera can capture in DV mode are jaw-dropping. It comes with all of the manual controls you could hope for and they're very intuitive. For more filmmaking resources & sample footage of the z1, visit my website and click 'resources'. And for more updates on using this camera for my short film, visit my website and click 'films'.
In many ways, it delivers. Crash's smart deinterlace for Vegas can be downloaded for free - with patience and persistence.Sharpening and deinterlacing the image is very compute intensive. 1.1M/1440 gives a maximum of 770 lines vertical, not 1080 as promised. Pointing the camera at a resolution chart while viewing the output on a high resolution monitor (or on a computer after rendering to 1080i or 1080p) quickly reveals that the horizontal resolution is about 1200 lines, and vertical resolution is a little over 500.The pixel count is thus about twice that of standard video, not four times, as we perhaps hoped. You must do the sharpening operation using a properties setting of 1440x1080.
Sony advertizes 1.1M pixels for each sensor, and 1440 lines horizontal. The video quality is superior to the JVC HDV camera. The 1200 lines of horizontal resolution is pretty good - just about the same as 720p. With the sharpening the Sony camera can give you a result that is close to a professional HD camera. And it is.It promises a camera with full HD resolution and outstanding features for a reasonable price.
It takes me a good fraction of a week to do a two hour movie on a 3GHz pentium 4. Slightly better results can be obtained by putting an additional unsharp mask in series with the first, set to half-effect.A major problem is deinterlace. I use the maximum effect with the minimum radius in the Sony tool - setting the radius slider to.001 pixels. But the vertical resolution is not very good at all.A little math tells the story.
The measured vertical and horizontal resolution is distinctly lower.An extensive web search revealed that the sensor has 1080 vertical lines, but only about 990 lines horizontal. After the render is complete, you can re-render to 720p, adding an additional bit of sharpening to compensate for the re-interpolation.For best results always use a shutter speed of 60 frames/sec or higher. The HVR-Z1U seems too good to be true. Most editors (and most display devices) deinterlace by averaging fields, which reduces the maximum vertical resolution to 540 lines. You can add Mike Crash's excellent deinterlacer to the sharpening masks, and remove this limitation. But the result can be stunning. The problem is that the edge contrast beyond 900 lines horizontal becomes quite poor.To make matters worse, (or to degrade the vertical resolution to match the horizontal) the vertical lines are read out of the sensor in pairs, so that each field is a mixture of two adjacent lines. I have had mixed results with the steady shot option.
Unlike the JVC, the camera offers full manual control and is a pleasure to shoot with professionally.Alas - for someone who expects and needs full HD resolution, the Sony is a disappointment. Keep the camera as steady as possible, and try not to use more video gain than absolutely necessary.Bottom line - this camera produces video that is MUCH better than standard video, and significantly better than DV. To achive something closer to 1440 lines horizontal the green sensor is offset by half a pixel, and image processing is used to give a possible maximum resolution of 1440 on a black and white image. This gives the vertical the same poor edge contrast as the horizontal.It is possible by using the unsharp mask tool in Sony Vegas (or other editors) to improve the edge contrast. I render to WMV9 rather than to MPEG2 - remember to keep the properties at 1440x1080. But it would be awfully nice to have a camera that delivered the advertized resolution, and did it with a flat video frequency response.
Thus, the compressed footage makes editing EASY - but Sony has managed to make a beautiful picture out of this stuff tooFor the Indie Filmmakers out there ---- test one out before purchasing. Indie Filmmaker here, always looking out for a better camera.The Sony HDV series is an astonishing technologyDon't let people tell you that the footage is "too compressed" ---- technically, it is, but once it gets on screen, it looks stunning.I haven't done much filming with this camera ---- but I have seen its footage and edited its footageBoth on television and the computer monitor, I was impressed with its 'look' ---- very detailed and extremely clearEditing was a BREEEEEZE with this footage. I edited on Final Cut Pro and could composite 5 layers all above each other, each with a different opacity, and FCP's real time engine kept up without having to render. I find the Sony HDV to be the most clear look out there --- emulating a beautifully shot NFL game on HD. but for cinematic looks, I still may stick with the Panasonic DVX100, as there is a more cinema feel to that onehope that helpsHAPPY BUYING.
|
